“I can show you the world…”
Roughly 595 days ago, I posted the Game of Thrones Season 7 finale recap, thinking we would never see the end of this series due to a Trump-related nuclear fallout, a George R. R. Martin-type setback, or simply death by anticipation — but we made it, friend-ohs. Seems like we should be rewarded for our never-ending patience with a brand new opening sequence. Reward granted!
Thoughts on the new opening sequence: ALL THE YESES. I love the upgrade, how they’re going deep into the interior of things (I think the Winterfell crypt is important this season), and that they’re tracking the undead army by turning white tiles into blue ones. Genius. Read more about what the production studio has in store for the credits here.
This first episode was one of reunions and revelations. The pace wasn’t as lightning fast as last season was — at least it didn’t feel like we were sprinting, merely trotting along with purpose — but I’ll be happier once the episodes go feature length, starting in Episode 3.
The first scenes, we saw the Unsullied, Dothraki, and two fully-grown dragons plus all the human throne hopefuls marching into Winterfell. Within 30 minutes, there was a Jon-Bran reunion, Jon-Arya, Tyrion-Sansa, Euron-Cersei, Bronn-Qyburn, and Yara-Theon. Shocking no one, Dany and Sansa are high school frenemies now. Bran is still pretty Bran, though more talkative than usual (from three words per episode to like…seven). Sansa and her ex-husband, the Imp, have an outdoor tete-a-tete. Qyburn tasks Bronn with revenge-murdering Tyrion for Cersei. Yara clocks Theon after he rescues her but they make up, Iron Islands-style. What is dead may never die.
Euron and Cersei predictably get it on because he’s the most arrogant man in the world and some women like that kind of thing. Especially when their other partner is a tender-hearted sibling who abandoned them to fight the undead. Also totally normal: Saying “I wanted those elephants” post-coitus while drinking red wine in a terrible wig.